In
about 1960, Franz Erhard Walther developed a substantially
new work concept that turns his viewers
into acting, reflecting accomplices in creating the work. His
work-pieces, mostly sewn in cotton, make it possible to experience abstract
sculptural concepts like dimension, energy, time, space, weight, material
process as aspects of the sculpture and the image.
Walther
has created a so-called Wortfeld [Word Field] for the large entrance
wall of the Mercedes-Benz Museum in Stuttgart. The concepts chosen for
it are not descriptive, but have haloes of meaning addressing artistic,
cultural and scientific-technical spheres. But pictorial and sculptural
qualities are central. The rhythm is creates by the word objects relates
to the architecture.