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Max
Bill, one of the leading Swiss artists of the 20th century, created this
tripartite sculpture; its color sequence follows structural and mathematical
rules.
The
sculpture's ground plan relates to the Mercedes star. Bill strove throughout
his life to make architecture, painting and sculpture into an interdisciplinary
art form. The sculptures-group of three shows how such a synthesis can
look. The colors were developed from the classical nine-part color disc,
the spectrum of primary and secondary colors from yellow via red to blue
with the corresponding intermediate shades.
The
color disc is a sequence of shades running back in itself: yellow, orange,
red, on to purple, violet, blue, on to blue-green, green, yellow-green.
Instead of the anticipated progression, groups of three colors, summing
up to nine modules consisting of three colors each can be discerned among
the 27 individual elements.
As
each column begins with a different color value, the spectrums do not
run in synch, but counter to each other. To prevent the colors from overlapping
visually (in terms of sensory physiology), Bill separates the individual
modules with narrow, shiny-silver steel bands.
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The
number three defines the mathematical concept of the sculpture: three
columns, the columns structured in three sections (band, color sequence,
band), modules in three colors, each module repeated three times per column,
thus giving nine modules over the height of each column.

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