Around
1960, Robert Rauschenberg developed a new and positive viewpoint
against the predominant abstract art,
concentrating on the real world around us with all
its banal, empty and kitschy facades: "For me, there's no
difference between art and life".
"Combines":
Art and Life
He
made a successful breakthrough in the fifties with his assemblage
sculptures and "combine paintings", works which combine painting
with various everyday objects.
On the one hand, these works have an influence on the foundation
of Pop Art, on the other hand, they form the starting point
for the further artistic development in Rauschenberg's works,
in that he then pursued painting and sculptures as independent
fields.
Silk-screen
Printing, Painting and Everyday Objects
In
1962, he discovered the process of silk-screen printing for
himself. However, unlike Andy Warhol, he avoided stereotypical
repetition and isolation of the motif in favor of conveying
a message which is more complex in its content and
which has the desired effect on the beholder's political and
social conscience. From the mid-sixties onwards, he
experimented with electronics.
Alongside
his large projects, trips and collaborations, the artist Rauschenberg
has remained present. His pictures and sculptures from the
nineties show him to be an inventive and progressive leader
of his "combines" concept, i.e. of his
desire for a transformation of reality into art, with the
least possible wastage.