Sammlung Daimler
German  
   

Contemporary - Profile and Overview
Activities and Exhibition Overview
The Collection: Profile and Activities
Sculpture Tour
Catalogues and Monographs
 


Daimler Contemporary       
7. March – 1. June 2008

 

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Classical : Modern II

       
   

 

 

Introduction
List of Artists
Exhibition Views


Press Material
Catalogue

   
     

 

 

 
   




Peter Brüning
ohne Titel; 1962
Öl auf Leinwand
97 x 127 cm


 

 

In this exhibition we have for the most part included the area of German post-war movements in art originating mainly from south Germany. About forty artists in the collection belong to these.

Art history files artists from Max Ackerman to Herbert Zangs under terms such as 'Lyrical Abstraction', 'Informel', 'Tachism', the 'Stuttgart' and the 'Karlsruhe school', 'Zero' and 'Zen 49'.

Willi Baumeister is both the nucleus of this category and the significant connection with representatives of classical modernism surrounding Hölzel from the beginning of the last century. In the years from 1946-55, Baumeister was a professor at the Kunstakademie Stuttgart. In 1947, he published his groundbreaking paper on art theory, 'Das Unbekannte in der Kunst' ('The Unknown in Art'.)

Our exhibition closes with a look at the painters of the Karlsruhe School: the very significant teacher HAP Grieshaber and his students Horst Antes, Walter Stöhrer and Dieter Krieg, supplemented by other artistic positions which are closely connected with Stuttgart (Rudolf Schoofs and his student Herbert Egl) or with Karlsruhe (Arthur Stoll, as a student of Antes).

Introduction

     

 

 

 

 
           
Contemporary - Profile and Overview
Activities and Exhibition Overview
The Collection: Profile and Activities
Sculpture Tour
Catalogues and Monographs
 


 

Introduction
Exhibition Views
List of Artists

Press Material
Catalogue