In this exhibition
we have for the most part included the area of German post-war movements
in art originating mainly from south Germany. About forty artists in
the collection belong to these.
Art history files
artists from Max Ackerman to Herbert Zangs under terms such as 'Lyrical
Abstraction', 'Informel', 'Tachism', the 'Stuttgart' and the 'Karlsruhe
school', 'Zero' and 'Zen 49'.
Willi Baumeister
is both the nucleus of this category and the significant connection
with representatives of classical modernism surrounding Hölzel
from the beginning of the last century. In the years from 1946-55, Baumeister
was a professor at the Kunstakademie Stuttgart. In 1947, he published
his groundbreaking paper on art theory, 'Das Unbekannte in der Kunst'
('The Unknown in Art'.)
Our exhibition
closes with a look at the painters of the Karlsruhe School: the very
significant teacher HAP Grieshaber and his students Horst Antes, Walter
Stöhrer and Dieter Krieg, supplemented by other artistic positions
which are closely connected with Stuttgart (Rudolf Schoofs and his student
Herbert Egl) or with Karlsruhe (Arthur Stoll, as a student of Antes).
Introduction