The Daimler Art Collection in Japan 2006
Conversation with art, on art
From Bauhaus to Contemporary Art -
a comprehensive portrait of the collection
Tokyo Opera City Gallery
14 January - 26 .March 2006
Art Scope DaimlerJapan
12 years of engagement for young japonese art.
Introduction
Artistic expressions have been growing increasingly diverse during the recent years. Many artists of our time who express themselves without being constrained by conventions, wish viewers to experience their works freely. But you might often feel lost in the presence of a work of art, or have a preconceived notion that one cannot appreciate art without expertise.
We believe that encouraging free approaches toward art is the important first step for viewers in beginning dialogues of their own with works of art. Contemporary art tends to be considered especially difficult to understand. Yet, with keywords drawn from daily life, we can start the dialogues that will eventually guide us to discover linkages between our lives and a work of art, the background in which it was created and the messages it conveys.
Josef Albers
Homage to the Square: "Between 2 Scarlets"; 1962
oil on masonite
101 x 101 cm
Tadaaki Kuwayama
untitled; 1965
oil on canvas
110 x 110 cm
Moreover, given an opportunity to exchange ideas with others, we can develop the basics of mutual relationships, that is, to understand and respect each other's perspectives in a society with increasingly diverse values.
Visitors will think about simple questions in the workbook as they observe the works exhibited. This exhibition allows viewers to encounter diverse works that range from Bauhaus to contemporary art, and encourage them to have dialogues based on various keywords. We believe that it will provide an opportunity for the viewers to intensify their understanding of the relationship between art and self, and between self and others.
Colour/Form/Space
From Bauhaus to Contemporary Art
Analyzing the elements comprising a work of art is an important cue for appreciating art. Colors bring liveliness to art works and affect viewers' perceptions in variety of ways, depending on how they are arranged. Forms and depth that are rendered with dots, lines and planes can be considered essential components of art. A careful study of the constituent elements is a fundamental process in looking at art and applies to any work of art.
Founded in 1919, the Bauhaus school of art, craft, and design, conducted an in-depth study on the effects those elements produce.Josef Albers, one of the instructors at Bauhaus, produced strictly abstract paintings that consist of minimum elements. Yet, his paintings make us feel that there is movement. Careful observation tells us that tensions between carefully placed colour planes are responsible for it.
Artists: Josef Albers, Willi Baumeister, Max Bill, Ulrich Erben, Johannes Itten, Oskar Schlemmer and more
Material / Technique / Presentation
Post-War Avant-Garde in Europe: Zero
Materials, techniques and the way works are presented often serve as a key to read works of art.
Zero, a group formed in 1957 in Düsseldorf, initiated an avant-garde movement aiming to create new art. In 1957, sometime after World War II, a group called ZERO initiated an avant-garde movement aiming to create new art in Düsseldorf. It broke away from established social norms and artistic traditions, and started entirely new approaches toward art from "zero point."
ZERO
Klaus Staudt
"series emphasizedt", WR 12b; 1961
painton wood
60 x 60 cm
Franz Erhard Walther
Block Blue; 1993
Cotton, 9 elements .
Charlotte Posenenske
8 Reliefs of seriesC; 1967
steel
8 elements., 120 x 40 x 40 cm each
Materials seen in our daily life that are unconventional for art, such as feathers, cork, coins and neon tubes, were incorporated in the works of Zero artists. No concrete representations can be found in their works. Judging from the fact that materials are placed systematically without being altered, the artists' intentions seem to be different from those pursued in traditional art, such as a realistic rendition, or an expression of inner self.
In addition to a careful study of formal elements, figuring out a reason for an artist's choice of a particular material will eventually reveal messages conveyed in a works of art.
Artists: Enrico Castellani, Dadamaino, Jan Henderikse, Francois Morellet, Giulio Paolini, Jean Tinguely, Klaus Staudt and more
Subject Matter
Minimal / Conceptual
The subject matter of a work of art does not necessarily speak for itself.
Coinciding with the unconventional practices of Zero, Minimal art emerged in the United States in the 1960s. And the Minimalism movement spread over Europe as well. Minimalists eliminated subjectivity and illusions from their works, based on a belief that art is reality in itself, instead of being a means of expression. In order to achieve anonymity, industrial materials were often incorporated in their works. Particularly notable is that great importance is placed on the relationship between objects and spaces.
If minimal art is to be defined as art that exists as object, Conceptual art that prevailed in the late 1960s can be defined as art that attaches paramount importance to concept. Considering artists' thinking as works of art, Conceptualists avoided the use of materials as much as possible, and created their works with immaterial elements, such as letters and symbols.
John Armleder
Don't do it! (Readymades of the 20th Century) 1997/2000
various objects
Sylvie Fleury
Formula 1 dress; 1998
size38
Works from these movements may appear especially difficult to understand. Yet, subject matter will be discovered as we observe, contemplating the relationship between objects and spaces, and between concepts and objects.
Artists: Daniel Buren, Andre Cadere, Joseph Kosuth, Charlotte Posenenske, Robert Ryman and more
Art and Society
Media / Brand / Product / Original
Traditionally, the value of art depended on the rarity that arose from the extraordinary creativity and technique of an artist. In our time, however, fragments of our daily life are often presented as works of art. And in some cases, artists are not involved in the process of fabrication at all. Characteristics of these works are rooted in Conceptual art, introduced in the previous section, which emphasizes the importance of concepts.
The term "information society" has been established for some time. We are surrounded by an overwhelming amount of information. Also, highly-developed industry and advanced distribution systems have made everything easily accessible. We will examine how these aspects of contemporary society might affect our relationship with art.
Artists: Are You Meaning Company, John M. Armleder, Sylvie Fleury, Robert Longo, Mathieu Mercier, Kirsten Mosher, Roman Signer, Andy Warhol, Georg Winter and more