6:00 P.M. (2001),
Philippe Parreno's projection of a field of light, interrupted by a
few cast shadows, onto a carpet stems from the world of the thinkable
that can happen everywhere. You find this world in books, comics, video
games or films which are interspersed with spaces and temporality.
Philippe
Parreno, 6:00 P.M., (2001), carpet, 321 x 250,2 cm
The carpet is
part of it, perhaps a fragment of a mise-en-scène for a film, where
the crucial scene could play in an almost empty apartment, with the
evening sun sending forth its fading beams through its large windows.
What will happen? What has happened here? The situation resembles a
threshold. While you may still feel anchored in the here and now with
one leg, the other one has already stepped into a different time and
a different space. Having been a spectator a minute ago, you now find
yourself participating either playing the part of an actor or perhaps
playing yourself. Philippe Parreno's uses the medium of film as a model
for his artistic thinking, which focuses on working by way of exhibition
itself, rather than on individual objects.
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