John Nixon
b. 1949 in Sydney, AUS
Berlin Project
Room EPW:O
2001
The Berlin Project
Room EPW:O was created while John Nixon was spending three days in Berlin.
The artist compared the emergence of this space with a concert performance
into which he introduced the conceptual and ideal aspects of his methodological
practice.
For Nixon, "Radical
Modernism (the historical avant-garde) is a never-ending project representing
a desire for experiment and the history of this experiment. My interest
is not so much in returning to history as developing that history. I
see my work as a continuation of the radical Modern project."
Experimental Painting
Workshop (EPW:O) is the name he gave to his project initiated in 1968
to investigate non-representational painting. Nixon finds some key reference
points in Malevich's "Black Square", which established the notion of
painting's self-referential and absolute quality, and Duchamp, whose
"readymades" introduced everyday objects into the context of art.
Nixon exploits
the possibilities of monochromy and the readymade, usually developing
them further in his own work in dialogue with other protagonists of
Modernism like El Lissitzky, Piero Manzoni, the Minimalists and Arte
Povera. His work with them is similar to a series of experiments in
an empirical research project. The Berlin Project Room, presented like
a laboratory, reveals the methods Nixon uses for analysing abstract
Modern art and provides information about the current position in his
continuation of the 'Modern project'.
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